September 22, 2014

the-irish-mayhem:

thetrekkiehasthephonebox:

chekov-in-a-dress:

I want a superhero movie where the hero dies in the first ten minutes and the woman who was supposed to be the love interest puts on his costume and becomes an even better hero.

I want all of the advertising to be for the hero and none of the marketing to even allude to this death.

imagine all the male tears

(via lokiismydrug)

September 22, 2014
lolshtus:

Finally, I Get To Know What They Mean

lolshtus:

Finally, I Get To Know What They Mean

(via kingatticus)

September 22, 2014
leepala:

merlin was putting away groceries, and she opens the cabinet and goes whY DO WE HAVE SO MUCH SALT???
and I blink at her
and said MERLIN WE WATCH SUPERNATURAL WHY DO YOU THINK WE HAVE SO MUCH SALT???

I keep salt in my room, next to the holy water on my nightstand

leepala:

merlin was putting away groceries, and she opens the cabinet and goes whY DO WE HAVE SO MUCH SALT???

and I blink at her

and said MERLIN WE WATCH SUPERNATURAL WHY DO YOU THINK WE HAVE SO MUCH SALT???

I keep salt in my room, next to the holy water on my nightstand

September 22, 2014

shawarmasarmy:

howmanytuesdaysdidyouhave:

fashanniesta:

narrowing down my “type” of guy is really hard because one second i’ll see a guy that’s clean shaven in a button down with the sleeves rolled and be like WHOA and the next i’ll see a guy with a full sleeve beanie and scruff and be like WHOA

WHOA

image

WHOA

WHOA

(Source: wearweare, via xxmoriartywasrealxx)

September 22, 2014

rollingpenny:

fenrir-kin:

tharook:

So I had ordered a lion statuette for a Pride award but something went wrong somewhere down the line and when it arrived it had only the rear end of the lion.

It was a catastrophe.

OH FOR FUCKS SAKE

took me a second to get it

(via phxoenix)

12:40pm  |   URL: http://tmblr.co/ZB26is1RQbk8g
Filed under: pun q 
September 22, 2014

i would press this button all day long, probably.

(Source: vergermeat, via phxoenix)

September 22, 2014
"I care. It fucking terrifies me how much I care."

— Midnight thoughts  (via hiddlesluscious)

(Source: reality-escape-artist, via sabledreamer)

September 22, 2014

wendy-pleakley:

typette:

HOLY SHIT OH YM GOD OH MY OG DFLSKDFJASSLDFKJDFSA

(via phxoenix)

September 22, 2014
The real difference between Gryffindor and Slytherin

14littlejazcicles:

brilliantbucky:

evil-freak:

Gryffindor : Mate, I would die for you

Slytherin : I will kill for you, bro. Just give me the word, the bitch is dead

Ravenclaw: I’ll find a way we both can survive

Hufflepuff: I’ll die with you

My house identity is further confirmed

(via sabledreamer)

September 22, 2014

tomfighter:

YOU CAN HEAR MY SOUL DYING IN THE DISTANCE.

(Source: tomhazeldine, via sabledreamer)

September 22, 2014

salparadisewasright:

stoneandbloodandwater:

forthegothicheroine:

youkoofthelovespot:

jali-jali:

charmory:

this is the most romantic thing i’ve seen all day

No shit. That tom cat was like:

"This thorn invested wall means nothing."

"I will gladly walk on it a thousand times over, if that means I could be with you, my lady."

and the lady cat was all:

"My brave darling."

OOOPS MY HAND SLIPPED!!

Suddenly my muse insisted me to draw the personification version of the last pic, and who am I to reject inspiration when it comes so willingly to me? At least this will help with the artblock issue I currently have to deal with.

Russian imperial era inspired because hot damn.

Note: I tried google reverse image (and other reverse image search engines) those photos and came up with nothing. I wish I knew the original photographer because I want to love hug him/her so hard for capturing such inspiring moments.

OMG that’s the cutest thing ever and the best courtly love ah so brilliant.

Few romantic heroes could do better.

I don’t post cats often but that illustration.

that illustration!!

(Source: theamericankid, via sabledreamer)

September 21, 2014
peetasallhehasleft:

anachronisticsiren:


Anne Hathaway as Mary Poppins (Saturday Night Live, April 10, 2008) [x]

#MIA ARE YOU MOCKING YOUR GRANDMA?????
A+ tag from camyberry

peetasallhehasleft:

anachronisticsiren:

Anne Hathaway as Mary Poppins (Saturday Night Live, April 10, 2008) [x]

A+ tag from camyberry

(Source: mickeyandcompany, via sabledreamer)

September 21, 2014

tchailenova:

There is a difference in losing something you knew you had and losing something you discovered you had. One is a disappointment. The other is truly a loss.

Gayle Forman, Just One Year (2013)

the context in these scenes is ripping my heart out and burning it to ashes

(Source: odnson, via sabledreamer)

September 21, 2014

linzeestyle:

God, the look on his face here - that smile, that absolute feral smirk when he knows the bullet’s connected, and the shot is fatal.  I’ve seen meta suggesting this is where the programming breaks down because how could the Marvel universe’s deadliest assassin miss, but to me that’s not at all what’s happening here.  Bucky’s just been strangled unconscious; he’s likely still stunned.  Steve’s dislocated his human shoulder and twisted and warped the plates on his left arm in their previous fight.  Bucky isn’t missing because he wants to; he’s missing because he’s stumbling, dizzy, unable to aim.  He’s missing because his arm isn’t stable.  Look at that third gif; he’s in pain as he’s shooting; the blowback from each pull of the trigger is making him wince and he’s having trouble keeping his arm steady.  And through all of that, despite the fact his body — his ultimate weapon — is failing him, this is still his mission.  More than that, the mission is personal.  That, above all else, is where the programming is cracking: the Winter Soldier isn’t supposed to think in terms of personal; he isn’t supposed to want for himself, even if that want is violence, is retribution.  He’s supposed to follow orders, and in this moment, he wants to cause harm to someone who’s getting the better of him.  Tit for tat.  He feels threatened by this man who’s making him feel, and he wants those feelings to stop.  And he’s willing to push his broken, twisted body to the breaking point to do it.

We see this again, not long after, when he breaks down farther, is left backhanding Steve, repeated, distressed and sloppy hits that don’t mange to kill him, despite the fact that earlier we saw a single punch destroy concrete. In those final blows we can hear his arm squeaking, plates grinding against each other - we get a real sense of how damaged he is.  But he’s fighting, not on the orders of others, but because the things Steve is saying are terrifying and he wants them to stop, no matter the cost.

And now compare this — how damaged he is physically, how much pain he’s in, and how much of that pain he’s willing to ignore if it will make the main causing the chaos in his head stop talking — to what he must go through, jumping in to the Potomac after Steve.  Using his crushed and warped left arm to pull him to safety; using his dislocated right arm to move both of their bodies through the water.  The amount of pain he’s ignoring to save Steve; to save something important to him; to complete a mission of his own choosing.  And it’s completely, wholly altruistic.  He walks away: injured and without any concept of his own identity or where he should go from here.  The man on the ground — he’s the Soldier’s only link.  Someone who’s repeatedly offered to help him, to save him.  And the Soldier stays only long enough to make sure the man’s still breathing, to make sure he’s in clear enough view to be saved by his own team, before disappearing again.

For seventy years, Bucky’s entire existence has been a backdrop of pain that he’s learned to wear like a skin.  But that moment marks the first time he’s used his resilience against it for his own ends, against those who have made him into a weapon of destruction.

I will never get over this final scene.

(Source: mishasteaparty, via tongue-and-pen)

September 21, 2014

(Source: my-funny-pics, via thejellyphishy)

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